Back to His Regularly Scheduled Program

a graphic background illustration of an abstract film reels with text that reads WM Patient Profile Back to His Regularly Scheduled Program.

Stratton Leopold
reclaims his “lost year,”
one step at a time

an illustrated background of an old fashion camera reel with text that reads stratton leopold reclaims his "lost year" one step at a time.

“My mother was a tough cookie,” says Savannah native and Hollywood film producer Stratton Leopold, owner of the city’s famous Leopold’s Ice Cream shop on East Broughton Street. 

Over an authentic Greek dinner at Savannah’s Olympia Cafe, Leopold recalls his mother’s (Marika) grandchildren dedicating a book they’d written to her with the ancient saying from his parents’ native Sparta, Greece: “Come back with your shield, or on it.” Spartan mothers commanded their sons going to war that they must return victorious, carrying their shield, or be carried back dead upon it—dying an honorable death instead of retreating and losing their shield, seen as cowardice and abandonment of comrades in the Spartan army. 

Leopold learned a strong work ethic from his father, Peter (Panagiotis)—cofounder of Leopold’s Ice Cream in 1919 with his brother George (Giorgios). “I was always amazed by how hard he worked,” he says. From his dad, Leopold says he learned about putting his shoulder to the grindstone. “He worked his tail off.” As with the father, so the son.

You would be correct, then, if you expect a hard-working man of Spartan descent—whose name in Greek (Efstratios) translates to “army,” and whose father hailed from a military family (one nephew was a general in the Greek army)—would bring his own one-man force to beat whatever challenge might try to stop him from moving, always, forward—even at 82.

That Spartan drive and a powerful determination to prevail against a lethal foe has most assuredly fueled Leopold’s approach to living with cancer—just as it has fueled his long career in the film industry and general passion for life. As he puts it, “When people hear ‘cancer,’ their first thought is ‘I’m going to die.’ Yeah, you might. It’s possible. But I’m not like that.”

a photograph of an older man wearing a ice cream uniform and standing in front of the ice cream shop holding a ice cream sundae.

Stratton Leopold

Stratton Leopold

a photograph of an older man wearing a ice cream uniform and standing in front of the ice cream shop holding a ice cream sundae.

Stratton Leopold

Stratton Leopold

“My mother was a tough cookie,” says Savannah native and Hollywood film producer Stratton Leopold, owner of the city’s famous Leopold’s Ice Cream shop on East Broughton Street. 

Over an authentic Greek dinner at Savannah’s Olympia Cafe, Leopold recalls his mother’s (Marika) grandchildren dedicating a book they’d written to her with the ancient saying from his parents’ native Sparta, Greece: “Come back with your shield, or on it.” Spartan mothers commanded their sons going to war that they must return victorious, carrying their shield, or be carried back dead upon it—dying an honorable death instead of retreating and losing their shield, seen as cowardice and abandonment of comrades in the Spartan army. 

Leopold learned a strong work ethic from his father, Peter (Panagiotis)—cofounder of Leopold’s Ice Cream in 1919 with his brother George (Giorgios). “I was always amazed by how hard he worked,” he says. From his dad, Leopold says he learned about putting his shoulder to the grindstone. “He worked his tail off.” As with the father, so the son.

You would be correct, then, if you expect a hard-working man of Spartan descent—whose name in Greek (Efstratios) translates to “army,” and whose father hailed from a military family (one nephew was a general in the Greek army)—would bring his own one-man force to beat whatever challenge might try to stop him from moving, always, forward—even at 82.

That Spartan drive and a powerful determination to prevail against a lethal foe has most assuredly fueled Leopold’s approach to living with cancer—just as it has fueled his long career in the film industry and general passion for life. As he puts it, “When people hear ‘cancer,’ their first thought is ‘I’m going to die.’ Yeah, you might. It’s possible. But I’m not like that.”

“The lost year”

an abstract illustrated background that is maroon with layers of film reels

It started with an unexplainable lump in his chest he thought might somehow be connected to his lifelong workout and fitness habit. When a physician friend in Savannah did a CT scan, it indicated “possible lymphoma.”

Leopold knew right away he wanted to follow up and pursue treatment at one of the very best cancer centers in the country. He could go anywhere. For him, it came down to either M.D. Anderson Cancer Center in Houston or Winship Cancer Institute of Emory University in Atlanta. He was already being treated at Emory for “an eye thing,” glaucoma. He chose Winship because he knew people there and had a supportive network of friends and colleagues in Atlanta from his years there as a regional location manager and casting director. He didn’t have that in Texas. Besides, Atlanta is much closer to his home in Savannah.

When Leopold’s first scan “lit up like a Christmas tree” and he was diagnosed with cancer, he says his doctor at Winship told him he needed to begin treatment immediately or “you’ll be dead in three months.” His response: “Fix it. That’s your job.” He added, “I’ll do my part.”

Leopold’s doctor, medical oncologist Mary Jo Lechowicz is the Margaret H. Rollins Chair in Cancer for Winship and professor and vice chair for education in the Department of Hematology and Medical Oncology at Emory University School of Medicine. “I was impressed by him because not everybody could do what he did,” she says. “He does sort of bring life along in his own direction.”

In July 2024, Leopold was diagnosed with what Lechowicz describes as a double-hit, high-grade large B-cell lymphoma—an aggressive form of the cancer not as responsive to standard therapies. Instead, she says he got “an aggressive regimen, even more so for a man his age.” 

Leopold recalls, “I would check into the hospital for five days, and I had chemo constantly 24/7. Then they’d send me back to the hotel for two, three weeks.” He repeated this six times. This went on for five months or so but its impact stretched into what he calls “the lost year.” Leopold’s wife Mary was there the entire time, offering support and encouragement from her own experience as a cancer survivor.

a portrait of a older man standing in the sidewalk with his arm crossed and smiling to the camera.

Even in the hospital, Leopold continued to exercise—and work. He and co-producer Lori Berlanga hashed out a pitch for a TV series and a script as they clocked mile-long walks in the corridors, rolling his chemotherapy IV pole with them. “I kept asking for weights and they had some little eight-pound things,” he says. “I said that’s not going to do it. So I started bringing weights into the hospital. Finally they said don’t do more than 15 pounds on dumbbells.”

Lechowicz says Leopold’s “performance status” is outstanding—not surprising given his commitment to fitness. She explains that an individual’s ability to care for themselves and perform their activities of daily living (such as showering and toileting) is considered a prognostic determinant for treatment choices and overall outcomes for people with cancer. “He is an incredibly healthy guy. Lots of other people, by the time they’re his age, have multiple other comorbidities, other diseases. He doesn’t have any. That in itself is rare.”

More than a year after finishing treatment, Lechowicz says Leopold is doing “extraordinarily well.” He continues to have regular bloodwork and scans to monitor his already-impressive progress. The journey from receiving a diagnosis to heading out on a weeklong road trip as this was being written in September 2025 is the kind of story movies are made of. And Leopold knows a lot about making movies.

a photo of Savannah, Georgia, USA oak tree lined road.
a portrait of a older man standing in the sidewalk with his arm crossed and smiling to the camera.

It started with an unexplainable lump in his chest he thought might somehow be connected to his lifelong workout and fitness habit. When a physician friend in Savannah did a CT scan, it indicated “possible lymphoma.”

Leopold knew right away he wanted to follow up and pursue treatment at one of the very best cancer centers in the country. He could go anywhere. For him, it came down to either M.D. Anderson Cancer Center in Houston or Winship Cancer Institute of Emory University in Atlanta. He was already being treated at Emory for “an eye thing,” glaucoma. He chose Winship because he knew people there and had a supportive network of friends and colleagues in Atlanta from his years there as a regional location manager and casting director. He didn’t have that in Texas. Besides, Atlanta is much closer to his home in Savannah.

When Leopold’s first scan “lit up like a Christmas tree” and he was diagnosed with cancer, he says his doctor at Winship told him he needed to begin treatment immediately or “you’ll be dead in three months.” His response: “Fix it. That’s your job.” He added, “I’ll do my part.”

Leopold’s doctor, medical oncologist Mary Jo Lechowicz is the Margaret H. Rollins Chair in Cancer for Winship and professor and vice chair for education in the Department of Hematology and Medical Oncology at Emory University School of Medicine. “I was impressed by him because not everybody could do what he did,” she says. “He does sort of bring life along in his own direction.”

In July 2024, Leopold was diagnosed with what Lechowicz describes as a double-hit, high-grade large B-cell lymphoma—an aggressive form of the cancer not as responsive to standard therapies. Instead, she says he got “an aggressive regimen, even more so for a man his age.” 

Leopold recalls, “I would check into the hospital for five days, and I had chemo constantly 24/7. Then they’d send me back to the hotel for two, three weeks.” He repeated this six times. This went on for five months or so but its impact stretched into what he calls “the lost year.” Leopold’s wife Mary was there the entire time, offering support and encouragement from her own experience as a cancer survivor.

Even in the hospital, Leopold continued to exercise—and work. He and co-producer Lori Berlanga hashed out a pitch for a TV series and a script as they clocked mile-long walks in the corridors, rolling his chemotherapy IV pole with them. “I kept asking for weights and they had some little eight-pound things,” he says. “I said that’s not going to do it. So I started bringing weights into the hospital. Finally they said don’t do more than 15 pounds on dumbbells.”

Lechowicz says Leopold’s “performance status” is outstanding—not surprising given his commitment to fitness. She explains that an individual’s ability to care for themselves and perform their activities of daily living (such as showering and toileting) is considered a prognostic determinant for treatment choices and overall outcomes for people with cancer. “He is an incredibly healthy guy. Lots of other people, by the time they’re his age, have multiple other comorbidities, other diseases. He doesn’t have any. That in itself is rare.”

More than a year after finishing treatment, Lechowicz says Leopold is doing “extraordinarily well.” He continues to have regular bloodwork and scans to monitor his already-impressive progress. The journey from receiving a diagnosis to heading out on a weeklong road trip as this was being written in September 2025 is the kind of story movies are made of. And Leopold knows a lot about making movies.

Stepping out in front of the camera 

an abstract illustrated background that is maroon with layers of film reels

Lechowicz sees the irony for Leopold as a behind-the-scenes producer, bringing others’ stories to the big screen—“now being the one who has his own story to tell.” Referencing his acting credits, in addition to producing, she says, “This has given him a chance to come back in front of the camera, so to speak.” This time he had to choose how to tell his own story.

Leopold’s starting point is to be “a champion for his own health,” Lechowicz says. She explains that it was because he knows himself as well as he does—his need for exercise, for example, or his desire to understand the scientific reasons for doing something—that he was able to shape his experience of cancer treatment to suit his needs. She describes him as “respectfully inquisitive,” asking questions—should I do this? Should I not do this? “It doesn’t mean he said yes to everything I said, either. But he took it under advisement and then, at the end of the day, it is his life.”

a stock photograph of 2 director chairs with the title producer on them.

This ongoing inquisitiveness and clarification are a healthy part of the cancer experience, Lechowicz says. “The magnitude of the life change from a life-altering diagnosis is not understood unless you have gone through it. In each journey, there’s a deeper level of understanding as the journey goes by. We have to recognize that part of the healing process is to empower our patients with information about their treatment and health. It’s an ongoing process rather than a one-time deal. As people continue on their journey, and there’s more experience, there’s naturally new questions, or a new lens, to ask questions.”

Another important part of a healing journey, even if there is no cure per se, is trusting the treatment process and not trying to control it. Lechowicz says, “There are so many people that are used to being in such control that they try to control the situation at the risk of their own emotional and spiritual health.” But Leopold “didn’t lose himself in the process. He knew himself well enough and what brought him joy and health and the like, and that he was going to rely on his own good habits without going to an extreme. Some people go to an extreme in an effort to control what’s uncontrollable.”

Instead of trying to control uncontrollable outcomes, Lechowicz advises focusing on things that stimulate motivation and offer a sense of accomplishment. “Whether it’s exercise, working, spirituality—whatever fuels people, whatever their passions are—it’s incredibly helpful to their therapeutic journey to continue these during treatment.”

For his part, Leopold says, “Truth be known, I was concerned. I knew this could not go down well. But I also knew that I’m putting total faith in Mary Jo because I was told she’s the best. I said, ‘Okay, go for it. Fix it, whatever you’ve got to do. I mean, I was saying prayers every night. It’s not like I was cavalier about it—not at all. But I wouldn’t let it define me.”

a stock photograph of a film reel with film slate on wooden table

a stock photograph of 2 director chairs with the title producer on them.

Lechowicz sees the irony for Leopold as a behind-the-scenes producer, bringing others’ stories to the big screen—“now being the one who has his own story to tell.” Referencing his acting credits, in addition to producing, she says, “This has given him a chance to come back in front of the camera, so to speak.” This time he had to choose how to tell his own story.

Leopold’s starting point is to be “a champion for his own health,” Lechowicz says. She explains that it was because he knows himself as well as he does—his need for exercise, for example, or his desire to understand the scientific reasons for doing something—that he was able to shape his experience of cancer treatment to suit his needs. She describes him as “respectfully inquisitive,” asking questions—should I do this? Should I not do this? “It doesn’t mean he said yes to everything I said, either. But he took it under advisement and then, at the end of the day, it is his life.”

This ongoing inquisitiveness and clarification are a healthy part of the cancer experience, Lechowicz says. “The magnitude of the life change from a life-altering diagnosis is not understood unless you have gone through it. In each journey, there’s a deeper level of understanding as the journey goes by. We have to recognize that part of the healing process is to empower our patients with information about their treatment and health. It’s an ongoing process rather than a one-time deal. As people continue on their journey, and there’s more experience, there’s naturally new questions, or a new lens, to ask questions.”

Another important part of a healing journey, even if there is no cure per se, is trusting the treatment process and not trying to control it. Lechowicz says, “There are so many people that are used to being in such control that they try to control the situation at the risk of their own emotional and spiritual health.” But Leopold “didn’t lose himself in the process. He knew himself well enough and what brought him joy and health and the like, and that he was going to rely on his own good habits without going to an extreme. Some people go to an extreme in an effort to control what’s uncontrollable.”

a portrait of a female doctor with dark brown hair to her shoulder, wearing a white coat, and smiling to at the camera.

Mary Jo Lechowicz

Mary Jo Lechowicz

Instead of trying to control uncontrollable outcomes, Lechowicz advises focusing on things that stimulate motivation and offer a sense of accomplishment. “Whether it’s exercise, working, spirituality—whatever fuels people, whatever their passions are—it’s incredibly helpful to their therapeutic journey to continue these during treatment.”

For his part, Leopold says, “Truth be known, I was concerned. I knew this could not go down well. But I also knew that I’m putting total faith in Mary Jo because I was told she’s the best. I said, ‘Okay, go for it. Fix it, whatever you’ve got to do. I mean, I was saying prayers every night. It’s not like I was cavalier about it—not at all. But I wouldn’t let it define me.”

 “Whether it’s exercise, working, spirituality—whatever fuels people, whatever their passions are—it’s incredibly helpful to their therapeutic journey to continue these during treatment.”—Mary Jo Lechowicz 

a photograph of a female doctor smiling at the camera with a text quote that reads  “Whether it’s exercise, working, spirituality—whatever fuels people, whatever their passions are—it’s incredibly helpful to their therapeutic journey to continue these during treatment.” —Mary Jo Lechowicz

Now back to our regularly scheduled program already in progress

an abstract illustrated background that is maroon with layers of film reels

By doing what he had to do as it was needed, Leopold is at a point in his cancer experience that he is able to fully engage in the life he clearly enjoys. In speaking about the time “when I was having cancer” it’s clear: Cancer wasn’t having him and it never got the best of him. Even during his chemotherapy treatment, he would say, “Chemo’s not fun, but hell, it will be over soon.”

Quoting a popular phrase used in older TV shows after commercial breaks, Lechowicz says for Leopold it’s now a matter of getting “back to your regularly scheduled program already in progress.” He was “already living his best life in the way he wanted to.” Despite needing to continue with regularly scheduled scans and blood work to make sure the cancer is still in remission, Lechowicz says that an important outcome of Leopold’s cancer experience is “reaffirming his love of the life he has.” 

What a life it has been! Leopold got hooked on the idea of making movies in 1963, watching as Robert Mitchum was filmed in “Cape Fear” in Savannah. He had been involved in community theater and was interested in the arts. The rebellious young Leopold at the time was still at the Benedictine Military School. He left Savannah in his twenties for New York, setting out to pursue what he hoped would be a career in the film industry—ultimately producing movies.

While Leopold was living back in Atlanta after his time in New York, to help set up a relative’s business, a phone call from a casting director he’d met in New York led to his first gigs in 1974, as a location manager and casting director for low-budget movies. The timing couldn’t have been better: then-Gov. Jimmy Carter had just created the Georgia Film Office in 1973, launching the state’s film industry.

The young man’s gregariousness helped build his professional network, eventually sending him out to Los Angeles, where in time he became an executive producer at Paramount—and married his wife, Mary. Leopold has nearly 60 film and TV credits to his name, and is best known for his work as a producer or executive producer of several high-budget, commercially successful films, such as “The General’s Daughter,” “The Sum of All Fears,” “Paycheck,” “Mission: Impossible III” and, most recently, “The Neon Highway,” which premiered on Netflix.

Leopold is already working on his next film project, an adaptation of the 2009 New York Times bestselling memoir “In the Sanctuary of Outcasts.” Based on his own story, author Neil White recounts his time in a Louisiana federal prison that operated on the grounds of the nation’s last leper colony. A successful media executive sent there for bank fraud, he initially obsesses over his lost status. But gradually he learns from the patients—people forced into isolation by the stigma attached to Hansen’s disease—whose grace and resilience reshape his perspective. The memoir becomes a story of humility, redemption and discovering humanity among society’s so-called outcasts.

Clearly Leopold has no plans to stop working. When he’s not collaborating with longtime colleagues on new film or TV projects, or working out with his personal trainer—Ousemane Diarra, a three-time Olympic sprinter from Mali—chances are Leopold can be found behind the counter at Leopold’s Ice Cream, helping to serve up cups and cones of the frozen confections the shop first offered more than a century ago. He tells “the kids”—the young people who work in the shop—“Enjoy what you’re doing. It’s hard work. Have fun!” Of his own work, he says, “If you enjoy your work, it’s not work.”

Leopold has been sharing his cheerful approach to work and life with young people throughout his career and life. Even now, he says it “floors” him when someone tells him how much he has positively influenced them. This generosity grew out of a pivotal early moment when he witnessed a middle-aged stage actor in New York waiting for an audition. The man had a hungry, ambitious, “I’m going to be a star” look that Leopold says frightened him. He carried a satchel full of sheet music and had clearly been in theater for a long time. And yet the man’s career was still totally dependent on others’ choosing to give him breaks. “He had no control over his career,” Leopold says. Leopold knew he wanted to have more control over his own career—which he certainly accomplished. He has been helping others overcome their fears and reach for their own dreams ever since.

When cancer showed up, he knew he would do all he could to overcome it. He also realized he had to accept that even his and his doctor’s best efforts and prayers might not be enough against this particular opponent. But he pressed on, calling on that Spartan perseverance and persistence—and joyful Greek spirit.

Although he didn’t allow cancer to define him, Leopold is clear that the experience has affected him. “It changed me,” he says. “For instance, my dad was a bird hunter, and I used to go; I won’t do that now. Even fishing is different now.” Now, that is, since he confronted a real threat to his own life. Every day, and all life, is more precious than ever now.

“The other thing cancer did,” Leopold says, is that he is back in shape, almost where he was before “the lost year.” His personal trainer told him, “You’re going to hit 100.” Leopold’s response: “I said no, I want 120. I’m dead serious. We’re going to go for it. Why not? Why not?!”

Why not indeed. Talk about a tough cookie.

Story by John-Manuel Andriote, an author and seasoned health/medical journalist, is Winship’s senior writer and editor of Winship Magazine.

Designed by Linda Dobson
Photography by Jenni Girtman

a portrait of a older male on a bridge. He is standing tall with his hands out and smiling to the camera.
a portrait of a older male on a bridge. He is standing tall with his hands out and smiling to the camera.

By doing what he had to do as it was needed, Leopold is at a point in his cancer experience that he is able to fully engage in the life he clearly enjoys. In speaking about the time “when I was having cancer” it’s clear: Cancer wasn’t having him and it never got the best of him. Even during his chemotherapy treatment, he would say, “Chemo’s not fun, but hell, it will be over soon.”

Quoting a popular phrase used in older TV shows after commercial breaks, Lechowicz says for Leopold it’s now a matter of getting “back to your regularly scheduled program already in progress.” He was “already living his best life in the way he wanted to.” Despite needing to continue with regularly scheduled scans and blood work to make sure the cancer is still in remission, Lechowicz says that an important outcome of Leopold’s cancer experience is “reaffirming his love of the life he has.” 

What a life it has been! Leopold got hooked on the idea of making movies in 1963, watching as Robert Mitchum was filmed in “Cape Fear” in Savannah. He had been involved in community theater and was interested in the arts. The rebellious young Leopold at the time was still at the Benedictine Military School. He left Savannah in his twenties for New York, setting out to pursue what he hoped would be a career in the film industry—ultimately producing movies.

While Leopold was living back in Atlanta after his time in New York, to help set up a relative’s business, a phone call from a casting director he’d met in New York led to his first gigs in 1974, as a location manager and casting director for low-budget movies. The timing couldn’t have been better: then-Gov. Jimmy Carter had just created the Georgia Film Office in 1973, launching the state’s film industry.

The young man’s gregariousness helped build his professional network, eventually sending him out to Los Angeles, where in time he became an executive producer at Paramount—and married his wife, Mary. Leopold has nearly 60 film and TV credits to his name, and is best known for his work as a producer or executive producer of several high-budget, commercially successful films, such as “The General’s Daughter,” “The Sum of All Fears,” “Paycheck,” “Mission: Impossible III” and, most recently, “The Neon Highway,” which premiered on Netflix.

Leopold is already working on his next film project, an adaptation of the 2009 New York Times bestselling memoir “In the Sanctuary of Outcasts.” Based on his own story, author Neil White recounts his time in a Louisiana federal prison that operated on the grounds of the nation’s last leper colony. A successful media executive sent there for bank fraud, he initially obsesses over his lost status. But gradually he learns from the patients—people forced into isolation by the stigma attached to Hansen’s disease—whose grace and resilience reshape his perspective. The memoir becomes a story of humility, redemption and discovering humanity among society’s so-called outcasts.

Clearly Leopold has no plans to stop working. When he’s not collaborating with longtime colleagues on new film or TV projects, or working out with his personal trainer—Ousemane Diarra, a three-time Olympic sprinter from Mali—chances are Leopold can be found behind the counter at Leopold’s Ice Cream, helping to serve up cups and cones of the frozen confections the shop first offered more than a century ago. He tells “the kids”—the young people who work in the shop—“Enjoy what you’re doing. It’s hard work. Have fun!” Of his own work, he says, “If you enjoy your work, it’s not work.”

Leopold has been sharing his cheerful approach to work and life with young people throughout his career and life. Even now, he says it “floors” him when someone tells him how much he has positively influenced them. This generosity grew out of a pivotal early moment when he witnessed a middle-aged stage actor in New York waiting for an audition. The man had a hungry, ambitious, “I’m going to be a star” look that Leopold says frightened him. He carried a satchel full of sheet music and had clearly been in theater for a long time. And yet the man’s career was still totally dependent on others’ choosing to give him breaks. “He had no control over his career,” Leopold says. Leopold knew he wanted to have more control over his own career—which he certainly accomplished. He has been helping others overcome their fears and reach for their own dreams ever since.

When cancer showed up, he knew he would do all he could to overcome it. He also realized he had to accept that even his and his doctor’s best efforts and prayers might not be enough against this particular opponent. But he pressed on, calling on that Spartan perseverance and persistence—and joyful Greek spirit.

Although he didn’t allow cancer to define him, Leopold is clear that the experience has affected him. “It changed me,” he says. “For instance, my dad was a bird hunter, and I used to go; I won’t do that now. Even fishing is different now.” Now, that is, since he confronted a real threat to his own life. Every day, and all life, is more precious than ever now.

“The other thing cancer did,” Leopold says, is that he is back in shape, almost where he was before “the lost year.” His personal trainer told him, “You’re going to hit 100.” Leopold’s response: “I said no, I want 120. I’m dead serious. We’re going to go for it. Why not? Why not?!”

Why not indeed. Talk about a tough cookie.

Story by John-Manuel Andriote, an author and seasoned health/medical journalist, is Winship’s senior writer and editor of Winship Magazine.

Designed by Linda Dobson
Photography by Jenni Girtman

Stratton Leopold Film & Television Credits

Producer

  • The Neon Highway
  • The Big One
  • Doorman

Executive Producer

  • Parker
  • Mission: Impossible III
  • Paycheck
  • The Sum of All Fears
  • Born Yesterday
  • Bound by Honor

Supervising Producer

  • The Adventures of Baron Munchausen

Coproducer

  • The Wolfman
  • Bless the Child
  • The General’s Daughter
  • The Rose and the Jackal

Production Manager

  • Tango and Cash
  • Prince of Darkness
  • They Live
  • The Mosquito Coast
  • Illegally Yours
  • Man Outside
  • Door to Door
  • Mr. Griffin and Me

Production Supervisor

  • Hamburger Hill
  • War Party

Assistant Production Manager

  • Wise Blood

Assistant Director

  • Great White
  • Scared to Death
  • The Long Run

Location Manager

  • The Big Chill
  • East of Eden
  • Hopscotch
  • All My Children
  • Orphan Train
  • For Ladies Only
  • Six Pack
  • Kelsey & Son
  • The Ordeal of Dr. Mudd
  • A Time for Miracles
  • When the Circus Came to Town
  • One Terrific Guy

Casting Director

  • Greased Lightning
  • Judge Horton and the Scottsboro Boys
  • Roll of Thunder Hear My Cry
  • Summer of My German Soldier
  • The Dukes of Hazzard
  • The Baron
  • Murder in Coweta County
  • Little Darlings
  • I Know Why the Caged Bird Sings
  • The Visitor
  • The Lady and the Lynchings
  • The Great Bank Hoax
  • The Displaced Person
  • The Gold Bug
  • Our Winning Season
  • The Coward of the County
  • Stroker Ace
  • The Sender
  • Tank

Care tailored to your needs

Care for patients with cancer at Winship includes leading cancer specialists collaborating across disciplines to tailor treatment plans to each patient’s needs; innovative therapies and clinical trials; comprehensive patient and family support services; and a care experience aimed at easing the burden of cancer.

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